12/21/2012

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Sociocultural Animation When a Society of classes becomes a Society of masses, the individual loses the sense of the situation. This situation all indication of change becomes a source of personal insecurity. Before this the individual does not do more than to lock in itself in own surroundings in which most of information that receives comes given through mass average, getting to create isolation states. In this situation it is where the sociocultural animation enters when it looks for to create scopes of interpersonal encounter and interchange of experiences and conjugated tasks that help to that the anonymous individual takes form like subject to take different situations without seeing itself immersed in them. The mobilization is to know clearly the interests and causes that they prevent to realise these. Reason why the authentic utility of a.S.C (sociocultural animation) is in making arrive that preoccupation at the mass, the form is to show the cultural capital that can create those interests and give the confidence so that they themselves can not only enter the fight by the attainment of those objectives, but doing him that others are added to that fight in the form in which they have added themselves. This nonligature to the concrete individuals, but to the succession of individuals at different moments by a same cause is the one of the key points of the ASC sense of continuity from a same exposition. The purpose of the sociocultural animation is the one to improve the communication of the individual with the rest, by means of integration within a group. It has like objective that the individuals take brings back to consciousness of their problems and their needs, as well as those of his surroundings, so that by means of the communication with the others they can act to solve them....
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Cultural Warehouse In the region of Miranda the constructed metallic bridges in the decade of 30 predominate. Today use of the Railroad station and managed by the municipal city hall, where it was left to preserve, forgotten and until destroyed, to put these monuments supposedly not to have a value that justified its preservation. In the place where it was the installation of the warehouse and the central office of the railroad station today function cultural warehouse and the central fair, where it had the purpose to store products that were carried by the railway and the embarkment and landing from passengers, the Warehouse was constructed in 1938. Reinaugurado in 15 of September of 2004, after ample reform, with the denomination of Cultural Warehouse, the property is part of the complex architectural of the Esplanade of the Railroad of Campo Grande denomination starts to be CULTURAL WAREHOUSE HELENA MEIRELES. The restoration of this building offers to the field-grandenses plus an option of ample space, adapted for the accomplishment of social, cultural and promocionais events, with capacity to receive about a thousand people. Central Fair a tourist point with lucrative ends, where if it becomes a point of meeting and meals. Without a minimum concern with the historic site that is installed there, even though the tradition of the central fair that was installed in the Mato Grosso Avenue was destroyed without population asks itself to it if it would accept this change. This attitude of the governing will not form the one identity campograndese therefore it becomes of some elements, not only of the built patrimonies, as the auto Ricardo Ori cites: ' ' all the goods, are natural or cultural, material or incorporeal, tangible or intangible, are enclosed in the cultural patrimony of the country, since that exactly the identity, the...

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