In the second half of the nineteenth century, Russian literature and culture flourished. In public life in this period, there are important events: the Crimean War, and numerous peasant uprisings, the abolition of serfdom, the emergence of capitalism. In general, public relations overcome some bar, a certain level, followed by a return to the recent past seems impossible. In particular this applies to relationship to man, its problems, without distinction of categories and classes. The process of forming a "new man" of his social and moral consciousness. Not surprisingly, these aspirations have done just realism, the main focus in Russian literature to the mid-19th century, by which the principles of developing an image of reality. His new stage has been closely associated with the attempt to detail the depth of penetration into the human emotions and relationships.
The authors have demonstrated a willingness not only to convey their emotions through the characters, but also reveal the underlying causes of social evil. As a consequence, the authors are increasingly turning to the works folk themes, the image of the peasant, the peasant, becomes a major in literature. Tradition of realism inherent Lermontov, Pushkin, Gogol, are fixed, their works are in many ways become a model for new authors. Fair value and weight gain critical feedback on the product. The merit of this largely was the work of Chernyshevsky, including his dissertation "The Aesthetic Relations of Art to reality '.
One can not remember what it was at this time there was a significant event: in the Russian Empire abolished serfdom, which of course is reflected in the literature. The desire to further transformations on this basis have led to controversy and the emergence of two camps: liberals and Democrats. The first offering political and economic reform a gradual change in social relations, the latter insisted on Immediate, radical transformations, usually through a revolutionary process. Go to the democratic camp belonged to, among other Dob, Herzen, Nekrasov, Chernyshevsky, and held liberal views Dostoyevsky, Turgenev, Druzhinin, Leskov. Typically exchange views and ideas was through a controversy in the pages of literary magazines. Also in literature there are disputes between the supporters of "pure art" and supporters "of Gogol's" direction, and later - between the "native soil" and "Westerners". Under the influence of ideology, commoners developed the idea of "real critics" raised the problem of the positive hero. Creative search for writers - realists, leading to new artistic discoveries and enrich the genre of the novel, strengthen psychology. In the second half of the 19th century, there is an entire group of talented Russian writers: FM Dostoevsky (Poor People, Crime and Punishment), IS Turgenev (Fathers and Children, Notes of a Hunter), IA Goncharov (A Common Story, Oblomov, break), AN Ostrovsky (Groza, every day is not Sunday, Bride, His people - the grace and favor), NA Nekrasov (Princess Volkonskaia, Who Lives Well in Russia), ME Saltykov - Shchedrin (Story of a City, Golovlevs, Poshehonsky old boy), LN Tolstoy (War and Peace), AP Chekhov (Roman doctor, Roman reporter, House number 6, Death to the official, Tosca, Vanka The Cherry Orchard).
The authors have demonstrated a willingness not only to convey their emotions through the characters, but also reveal the underlying causes of social evil. As a consequence, the authors are increasingly turning to the works folk themes, the image of the peasant, the peasant, becomes a major in literature. Tradition of realism inherent Lermontov, Pushkin, Gogol, are fixed, their works are in many ways become a model for new authors. Fair value and weight gain critical feedback on the product. The merit of this largely was the work of Chernyshevsky, including his dissertation "The Aesthetic Relations of Art to reality '.
One can not remember what it was at this time there was a significant event: in the Russian Empire abolished serfdom, which of course is reflected in the literature. The desire to further transformations on this basis have led to controversy and the emergence of two camps: liberals and Democrats. The first offering political and economic reform a gradual change in social relations, the latter insisted on Immediate, radical transformations, usually through a revolutionary process. Go to the democratic camp belonged to, among other Dob, Herzen, Nekrasov, Chernyshevsky, and held liberal views Dostoyevsky, Turgenev, Druzhinin, Leskov. Typically exchange views and ideas was through a controversy in the pages of literary magazines. Also in literature there are disputes between the supporters of "pure art" and supporters "of Gogol's" direction, and later - between the "native soil" and "Westerners". Under the influence of ideology, commoners developed the idea of "real critics" raised the problem of the positive hero. Creative search for writers - realists, leading to new artistic discoveries and enrich the genre of the novel, strengthen psychology. In the second half of the 19th century, there is an entire group of talented Russian writers: FM Dostoevsky (Poor People, Crime and Punishment), IS Turgenev (Fathers and Children, Notes of a Hunter), IA Goncharov (A Common Story, Oblomov, break), AN Ostrovsky (Groza, every day is not Sunday, Bride, His people - the grace and favor), NA Nekrasov (Princess Volkonskaia, Who Lives Well in Russia), ME Saltykov - Shchedrin (Story of a City, Golovlevs, Poshehonsky old boy), LN Tolstoy (War and Peace), AP Chekhov (Roman doctor, Roman reporter, House number 6, Death to the official, Tosca, Vanka The Cherry Orchard).
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